50 years on, the Vietnam moratorium campaigns remind us of a different kind of politics
Fifty years ago this month, hundreds of thousands of Australians assembled across the country to call for an end to the Vietnam War. The first of the moratorium campaigns, the demonstrations of May 8 1970 were the zenith of the anti-war movement in Australia that had been five years in the making.
The largest of the May 8 marches took place in Melbourne, confirming its status as the national capital of protest politics. An estimated 100,000 demonstrators clogged the city’s streets.
Despite scaremongering in preceding weeks by conservative politicians and large sections of the media about the threat of violence and mayhem, the event passed peacefully. Relieved and exultant, the movement’s leader, Jim Cairns, told the sea of protesters gathered in Bourke Street:
Nobody thought this could be done … The will of the people is being expressed today as it never has been before.
The moratorium movement was important in a number of ways.
First, and most obviously, it galvanised many ordinary Australians to join the protest actions, making a powerful statement about the collapse of support for the nation’s continued participation in the Vietnam conflict. Though the Liberal-Country Party government led by Prime Minister John Gorton obdurately dismissed the demonstrations and insisted they would have no material influence on its policy-making, it was no coincidence that 1970 marked the beginning of the withdrawal of Australia’s military forces from Vietnam. It was a policy reversal that mimicked the direction of the United States, which had witnessed its own massive anti-war moratorium demonstrations at the end of 1969.
Second, the demonstrations were a potent symbol of the larger culture of dissent that had flowered in the second half of the 1960s. The protests expressed a restless mood for change, and represented a key moment in the puncturing of the oppressive Cold War atmosphere that had dominated Australian public life for some two decades.
One contemporary observer of the moratorium marches captured their confounding spirit of anti-authoritarianism by referencing Bob Dylan:
Because something is happening here, but you don’t know what it is, do you, Mister Jones?
Two years later, much of the yearning for change would be channelled back into institutional politics with the election of the Whitlam Labor government. But in 1970, the streets had become a major outlet for political expression.

Third, the success of the May 1970 moratorium was a watershed in legitimising protest in this country. As the anti-war movement developed from the mid-1960s, it found its activities circumscribed by provisions of the Commonwealth Crimes Act, state laws and local government regulations that severely constrained the right to demonstrate. Under the terms of a Melbourne City by-law, for example, it was illegal to hand out leaflets in city streets.
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